The Three Musketeers
Young D'Artagnan arrives in Paris seeking glory and falls in with the legendary Musketeers — Athos, Porthos, and Aramis — as they clash with the scheming Cardinal Richelieu and the deadly Milady de Winter.
Twenty-three hours, sixty-seven chapters and eighteen voices: the longest listen here by some distance, and the one that most resembles a serial, which is what it was. Dumas wrote for a newspaper and it shows in the best possible way — chapters end on turns, scenes are almost entirely dialogue, and the plot is carried by people lying to each other in rooms. Athos, Porthos and Aramis have to be distinguishable immediately and permanently, since they are usually all present; Milady de Winter, who arrives properly in the second half, is the most dangerous character and never once raises her voice.
The voices that carry it
Milady is the performance the book turns on. Her long manipulation of Felton late in the novel is one voice convincing another in real time, and it only works if she sounds sincere.
Chapter one plays without an account. Start listening to The Three Musketeers.
Voice cast
17 characters plus the narrator, each with their own voice. All the voices of The Three Musketeers.
- d'Artagnan — A young Gascon from the provinces, barely eighteen, arriving in Paris with three coins, an old horse, and boundless ambition. Quick-tempered, brave to the point of recklessness, fiercely loyal, and irresistibly charming.
- Athos — The most noble and brooding of the three musketeers. A man of aristocratic bearing hiding a shattered past — the finest swordsman of them all, deeply melancholic, and capable of great coldness.
- Porthos — The largest and most boastful of the musketeers. Vain about his appearance, his equipments, and his imaginary wealth. Hearty, loud, good-natured, and genuinely formidable in a fight.
- Aramis — The most refined and secretive of the three musketeers. Elegant, religious, and perpetually on the verge of abandoning soldiering for the priesthood. His piety is genuine but coexists comfortably with intrigue and violence.
- Milady de Winter — Cardinal Richelieu's most dangerous agent — beautiful, ruthless, and utterly without mercy. She has been a thief, a poisoner, and a seductress. Bears the brand of a fleur-de-lis on her shoulder. Capable of convincing any man of anything.
- Cardinal Richelieu — The most powerful man in France — the Cardinal and chief minister who effectively rules the kingdom. Coldly brilliant, implacable, and utterly ruthless in the service of the state. Respects ability even in his enemies.
- M. de Tréville — The captain of the King's Musketeers — a Gascon himself, fierce with honor, ferociously loyal to his men, and skilled at navigating the treacherous politics of Louis XIII's court.
- Mme Bonacieux — Constance Bonacieux — d'Artagnan's great love, the queen's seamstress. Young, pretty, brave, and entirely caught up in intrigue she barely understands. Loyal to the queen above all.
- Planchet — D'Artagnan's lackey and servant — a Picard by birth, cheerful, gossipy, and fundamentally cowardly but capable of extraordinary acts of loyalty when the moment demands it.
- Buckingham — George Villiers, Duke of Buckingham — the most powerful lord in England and the queen's secret admirer. Handsome, gallant, recklessly in love, and politically dangerous.
Chapters
- Chapter I: The Three Presents of D’artagnan the Elder
- Chapter II: The Antechamber of M. de Tréville
- Chapter III: The Audience
- Chapter IV
- Chapter V: The King’s Musketeers and the Cardinal’s Guards
- Chapter VI: His Majesty King Louis Xiii
- Chapter VII: The Interior of the Musketeers
- Chapter VIII: Concerning a Court Intrigue
- Chapter IX: D’artagnan Shows Himself
- Chapter X: A Mousetrap in the Seventeenth Century
- Chapter XI: In Which the Plot Thickens
- Chapter XII: George Villiers, Duke of Buckingham
- Chapter XIII: Monsieur Bonacieux
- Chapter XIV: The Man of Meung
- Chapter XV: Men of the Robe and Men of the Sword
- Chapter XVI
- Chapter XVII: Bonacieux at Home
- Chapter XVIII: Lover and Husband
- Chapter XIX: Plan of Campaign
- Chapter XX: The Journey
- Chapter XXI: The Countess de Winter
- Chapter XXII: The Ballet of la Merlaison
- Chapter XXIII: The Rendezvous
- Chapter XXIV: The Pavilion
- Chapter XXV: Porthos
- Chapter XXVI: Aramis and His Thesis
- Chapter XXVII: The Wife of Athos
- Chapter XXVIII: The Return
- Chapter XXIX: Hunting for the Equipments
- Chapter XXX: D’artagnan and the Englishman
- Chapter XXXI: English and French
- Chapter XXXII: A Procurator’s Dinner
- Chapter XXXIII: Soubrette and Mistress
- Chapter XXXIV: In Which the Equipment of Aramis and Porthos Is Treated Of
- Chapter XXXV: A Gascon a Match for Cupid
- Chapter XXXVI: Dream of Vengeance
- Chapter XXXVII: Milady’s Secret
- Chapter XXXVIII: How, Without Incommding Himself, Athos Procures His Equipment
- Chapter XXXIX: A Vision
- Chapter XL: A Terrible Vision
- Chapter XLI: The Siege of la Rochelle
- Chapter XLII: The Anjou Wine
- Chapter XLIII: The Sign of the Red Dovecot
- Chapter XLIV: The Utility of Stovepipes
- Chapter XLV: A Conjugal
- Chapter XLVI: The Bastion Saint-gervais
- Chapter XLVII: The Council of the Musketeers
- Chapter XLVIII: A Family Affair
- Chapter XLIX: Fatality
- Chapter L: Chat Between Brother and Sister
- Chapter LI: Officer
- Chapter LII: Captivity: the First Day
- Chapter LIII: Captivity: the Second Day
- Chapter LIV: Captivity: the Third Day
- Chapter LV: Captivity: the Fourth Day
- Chapter LVI: Captivity: the Fifth Day
- Chapter LVII: Means for Classical Tragedy
- Chapter LVIII: Escape
- Chapter LIX
- Chapter LX: In France
- Chapter LXI: The Carmelite Convent at Béthune
- Chapter LXII: Two Varieties of Demons
- Chapter LXIII: The Drop of Water
- Chapter LXIV: The Man in the Red Cloak
- Chapter LXV: Trial
- Chapter LXVI: Execution
- Chapter LXVII: Conclusion
About this recording
How long is The Three Musketeers?
About twenty-three hours across sixty-seven chapters — the longest work in the catalogue. The chapters are short, which makes it more approachable than the total suggests.
Is this a translation?
Yes, a public-domain English translation of Dumas's 1844 novel, sourced from a proofread edition rather than a raw scan.